Where Did Homo sapiens Really Come From?
How our species took shape in Africa between about 320,000 and 60,000 years ago, over a long time and in many places, through populations that split and rejoined.
For research groups, institutes and funded projects
I make 3–15 minute science films that people outside your field will actually watch. Every claim is tied to a source, you approve the script, and the finished film is usually ready two to three days later.
From From Cosmos to Civilization, my documentary series on the history of the universe and of life. These are the kind of films I would make about your work. The production system improves every week, so the newest films show what you would get today; older episodes use an earlier narration voice.
How our species took shape in Africa between about 320,000 and 60,000 years ago, over a long time and in many places, through populations that split and rejoined.
How an archaeon and an oxygen-breathing bacterium merged for good, and how the partner became the mitochondrion through gene loss, gene transfer and protein import.
How the ribosome reads a gene, why protein shape is the payoff, and what chemistry can and cannot yet explain about where the codon table came from.
The first 380,000 years: how the first atomic nuclei formed in minutes, and the measurements, from light-element abundances to the cosmic microwave background, that tell us so.
From the disputed Toumaï fossils to Lucy and the Laetoli footprints: how apes that still climbed trees came to walk upright, one part of the body at a time.
How a captured cyanobacterium became the chloroplast, and how photosynthesis later spread as other cells captured whole algae.
Each film mixes the kinds of material below, chosen shot by shot for what the science needs. All clips are taken from my own films. Under each one is where it came from and its licence, the same record every film gets in its credits.
Every image, clip and sound is logged with its source, creator and licence, and listed in the film’s credits. In films made for you, everything is either made for the film, supplied by you, or used under a licence that allows your use.
Scientific animation built in code, AI reconstructions (Grok Imagine, MiniMax H3, OpenAI image models), narration and chapter titles.
Wikimedia Commons; NASA, ESA, ESO and NOIRLab image libraries; US government agencies such as NOAA; Smithsonian Open Access and other museum open-access collections.
Figures from open-access papers under CC BY (via Europe PMC, PubMed Central and journal sites) and datasets on Zenodo.
Protein structures from the RCSB Protein Data Bank; Natural Earth maps; GEBCO ocean-floor data; PALEOMAP and EarthByte plate reconstructions.
Scans of fossils and specimens on Sketchfab, released under Creative Commons licences.
Stock footage and music from libraries such as Envato Elements, under their commercial licences.
Figures, photos, microscopy and field footage that you own or have permission to use.
Material marked non-commercial or no-derivatives (CC BY-NC, CC BY-ND) and copyrighted figures, unless the rights holder gives permission.
See every source and licence used in my series on its credits site.
Ten of the narration voices I have designed or tested recently. All are synthetic. Pick one, or I design a new voice for your film from a description (age, accent, tone) and direct how it reads: pace, warmth, emphasis and pauses. Narration works in most major languages, and a human narrator, including someone from your group, is also possible.
The same opening passage, translated and read by voices designed for each language.
We have a 30-minute call about the story you want to tell, who it is for and which voice fits.
You get the full script with sources. You fix anything I got wrong. Nothing goes forward until you approve it.
Usually ready two to three days after you approve the script, sometimes the next day.
Comment with timestamps, as many rounds as you need. Then you get the film, captions and credits list.
$750
3–5 minutes
One finding, explained clearly. For a paper release, a project page or the start of a talk.
$1,800
10–15 minutes
The whole story: the question, how you answered it, and what it changes.
$6,000
Four films, 10–15 minutes each
For a multi-year project or a research centre: one film per result, delivered as the work comes out.
Prices in US dollars. Half at the start, half on delivery. I can invoice your institution or work from a purchase order.
I built my own production system, and AI does much of the work in it: it helps with research, drafting, animation code, images and narration. I direct and edit everything, check the science myself and make the final decisions. You approve every claim before production starts.
Working this way is what makes these prices and this speed possible. It is also why the process starts with sources and your approval: speed is only useful if the science is right.
I’m Anders Lunde. I have a master’s degree in molecular biology from the University of Oslo and a PhD in developmental neuroscience, where my research involved transcription factors and RNA sequencing. I also work as a software developer.
For the past six months I have been building the production system behind From Cosmos to Civilization. Every source and image used in the series is listed on its credits site.
The script is written from your papers and the literature they cite, and every claim is linked to its source. You review the script and the claim sheet before production, and the cut before delivery. Nothing goes into the film that you have not seen.
Most of the production work, from animation to narration and editing, runs in a system I built for it. The slow part is usually the review on your side, and you can take as long as you need.
Yes, and the film is better for it. Send whatever you have, and I will combine it with animation and openly licensed material.
Yes. Narration works in most major languages, and captions can be added in more than one. Tell me the audience and we will pick the language and voice together.
Anywhere, with no time limit: your website, YouTube, social media, conferences, teaching and reports to funders. Material from other sources is used only under licences that allow this, and every item is credited. I may show the film in my portfolio unless you would rather I didn’t.
Films are a common item in communication and outreach plans. I can write the quote and invoice in whatever form your funder or finance office needs.
Usually for curious people outside your field: students, funders, policymakers and the public. We decide on the audience in the first call, and the script is written for them.
Send a paper or a few sentences about your work. I will reply with a film idea and a quote within two working days.